Oct 082017
 

We have been going on it for a while now and it’s time to tell you a little bit more of what we have been up to.

Level Design

Our plan is to release a demo and test it to see the interest of the game and decide upon that if we want to continue production or not.

We are still very much in the planning phase and we have started to block out the first areas the player will experience.

The game will take place in Mont Saint-Michel, an island in Normandy France that due to tidal ways sometimes get cut off from the mainland. This is of course a prime location for a mystery adventure.

Blocking out the level like we have started to do helps us test the gameplay and general feel of the game as well as the scope of the areas before we dive into creating the actual assets of the game. This will save us time later in the project, so we have a solid plan on what we need to do.

Beneath the Waves - Blocking out the level

Beneath the Waves – Blocking out the level

The game will start on the shore leading up to the entrance to the city and during the demo you will be able to explore a small part of the city up the Grand Rue leading up to the hotel where the player character will stay during his visit to the island. This is where the adventure begins that will lure you into the mysteries of the island and your own history.

Beneath the Waves - Demo Map

Beneath the Waves – Demo Map

Music

Our musician Ulf has also started testing out some music for the game and produced to test songs. What we want is something low key that can be layered for different areas and below you can listen to our concepts so far.

Christophe Demers

Juras, our character artist has been hard at work modelling the player character. The next step is to texture and rig it to give it that final look and to be able to animate it.

We will not tell you much more about Christophe right now other than we have fleshed out a lot about the character and the events taking place on the mysterious island of Mont Saint-Michel.

Christophe Demers

Christophe Demers

The Future

Over the next period we hope to get in the player character into the game along with other graphical assets. Hopefully we will also have fleshed out some of the puzzle ideas we have that we want for the demo release.


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Aug 272017
 

Welcome to the first official post about Beneath the Waves!

A month into development and we are starting to see the concept take shape as we flesh out exactly what this will be and how it will be played.

The Game

Player character concept

Player character concept

What can we say about Beneath the Waves so early into development? Well… We can say that it is an adventure game filled with mystery.

We can’t really talk too much about our story as we don’t want to spoil anything for you. We can say that we are hoping to write something that will be filled with mystery, maybe even a little scary! Something that will keep you wondering about what it is that hides Beneath the Waves?

Gameplay wise it is greatly inspired by the classic adventure point and click genre. We want to have a bit of a fresh take on it so we are considering how we can do that. Our thoughts now are along the lines of having it play like a 3rd person game where you transition out of action mode and into puzzle mode. The classic adventure games often have a static camera and you go from scene to scene and we are aiming for one location where you can move freely within that space, think free roaming but in a small environment.

The Setting

Beneath the Waves will take place on a remote island cut off by the tides. We are greatly inspired by Mont Saint-Michel located in Normandy, France. The player, a 35ish travel author are doing and article series about popular tourist places during off season and for reasons not yet revealed takes aim on this beautiful island.

The game takes place in modern day but the popular tourist island with its rich history has the feel of, and aesthetics of a medieval city last renovated during the 30s.

The Team

Progress on the model of the player character.

Player character progress

Well whenever it comes to us at KJ Interactive you will have Krister and Jona. Krister being a coder he will naturally handle the programming of the game. Jona as the marvelous technical artist that he is will handle that side as well as being the lead of the graphics people helping them doing what they do to the best of their ability.

We are also getting help from our friends at Red Line Games. Juras is our character artist and he is currently working on the player character that we will talk more about in an upcoming article.

With us we also have Kalle that together with Krister is focusing on the story and dialogue.

The Future

Our short-term goals are to produce a demo to test the idea of Beneath the Waves on players to see if this is something you will enjoy and see if our direction with the game will be enjoyable for you. Therefor we are focusing on the beginning of the game and releasing that as a free demo and from there we’ll continue if you enjoy it as much as we hope you will.


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Aug 102017
 

So it’s been quite a long time since the last update, but here are some exciting news about me, Ambrosia, your pet Hippo, remember?

 

 


J Due to me having never really gotten as deep into rigging as I’ve wanted, this dev diary has somehow been over 2 months in making! The sad/funny part is that what I’m showing off isn’t even finished…

So what have I been doing over the last two months? Well other than private maters and generally creating some scripts to help me with rigging; rigging is exactly what I have been doing.

Below you will find a lot of images of Ambrosia inside of Maya as I slowly but surely create a rig that even a very meticulous animator would enjoy working on.

Body joints and first IK leg setup | June 5th

First up we’ve got this image of Ambrosia’s body skeleton, may have gone a bit insane with those tail joints, but as long as I end up with somewhere around 100-120 joints including the face, I’m not going to fret over it.

Looking at the front left leg, you can see that it has brown joins rather than purple ones, this is due to an IK-chain having been installed, what an IK or Inverse Kinematic solution allows you to do is to, in this case, move the leg using the foot rather than by bending the knee.

Here you can find a rather more technical explanation without Game of Thrones references for what IK vs FK is.

First pass on facial joints inside of Maya  | June 6th

Next up is the first facial joint pass and with this I landed on 104 joints, a small enough number considering it’s a character with a face setup, however, with too much control, the animations would take a whole lot longer to create and with the relative low resolution of the mesh and the distance she’ll be from the camera, this will more than suffice, it’s not Uncharted 5 after all!

What may be interesting to some who are just getting into rigging, is that the joints seen in the picture above are not the skinned joints (this is actually true for the first image as well) instead this is a second skeleton to which the skinned skeleton has been parent and scale constrained.

Why do this you wonder? Well, one reason is that doing something wrong is less likely to break the entire rig, more importantly however is the fact that this new rig doesn’t have to have the hierarchy needed in a skeleton which is going to end up in a game engine! What this means is that I could for example create a reversed foot, allowing me to animated her fot rolling from her heel rather than from the ankle where the final IK-handle is positioned.

WIP Ambrosia controller setup | July 3rd

Here is a view of the first controller setup, roughly one month after the skeleton was finished, let’s just say I learned a lot during this time and no small part was spent reading books on python and starting my own rigging library.

The legs are the only things actually done in this picture, but they can do pretty much anything you could ever want, including automatic and/or manual squashing and stretching!

I found that creating custom controllers can be quite a pain, especially if you want two curves or more in one, but with some scripts which took… Days to write, I now save a few minutes every time I need a new controller, in a few years I will have made up that time for sure!

Body controllers version 1.0 and facial controls version 0.1 | July 23rd

Twenty days later, minus twelve days of vaycay in Murica and the body rig is finished, this includes a very cool spine controller allowing for some rad squash and stretch action… yo! Look at her, isn’t she cute?

First version of the Ambrosia Substance and facial controls version 0.7 | August 9th

Jump to today, or yesterday as midnight was now more than two hours ago, we’ve got brow, eye, nose and cheek controllers. Exciting! Other than a preemptive turning 30 years ancient party which lasted for 3 days and a 4 day visit to Lion Game Lion in Croatia I’ve ben working on this little girl.

From the last picture to this one, roughly 42 hours of work has been done, the next rig I make will definitely go a lot smoother and faster, those weights are driving me mad, mad I say!

Ambrosia Facial Rig V 0.73

Since moving images are a lot more interesting and well, since I figured you may want some proof that I’ve not just created some splines in a Maya scene, here’s Ambrosia going from upset to happy!

Important to note is that other than opening her mouth, none of the mouth controls have been setup, so look forward to much nicer looking smiles, aimed at you inside of the game!

Perhaps more important still is the fact that this texture is far from done, due to a new UV setup and engine change, I decided to create the new texture using only Substance, so again, look forward to a much cuter Ambrosia in the future!


That’s all for this recap, I’ll do my best to get a new one up faster next time, with that said though, KJ has just started working on its new official project Beneath the Waves, this game will be produced in conjunction with Red Line Games, make sure you check it out!


 

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Jun 042017
 

It’s time for another Dev Diary!

 

This one looks like it could earn me some money, once you start peddling the gods inside of your new store.


JThis week it’s time for something new, an art asset overview video, as I migrate assets from Unity and create new assets for Eco Tales I’ll be creating videos like this to show you all what is happening on the art front.

As for the Dev Diaries. they will also continue, but art will rarely be mentioned inside of those videos.

This time we take a look at some high tier furnishing for your shop as well as some item containers and even some edible items which will be found both in the adventuring mode and inside of the shop mode!

Without further ado, the art asset overview video!

Please let me know your opinion of this format either on the video or on Facebook, I really want to know what you think!


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Jun 012017
 

Hello fellow devs!

Here comes a short post about a video I recently released on how you can setup Volumetric Lighting inside of Unreal Engine 4.16+

First up, the video itself, it in short walks you through the settings you’ll need to change to make Volumetric Lighting possible.

I’ve also thrown in a few things that I found to be fun and interesting, mainly how you can easily setup your materials to create art direct-able areas of fog using particle systems.

 

Here you can download the mask texture found inside of the video, just right click and “Save link as…” Download Volumetric Mask Textures


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May 262017
 
K Hi there, time for a new Unity tutorial.

Now you might remember my old image map tutorial, well I remade it in video for your viewing pleasure.

This is basically usuable for raycasting an object and get the color of the pixel on the texture you hit. This can be used to create a color picker or an image map, where you have a texture with different hot spots.

 

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May 242017
 
K Once again I went to Jönköping Sweden with my students for LBS Game Awards [SV].

It have been a long year with a lot of hard work as usual for my students. Once again that paid off and sure, I’ll take all the credit… But if they ever deserved some it’s now.

Well to start things off we missed two hours of the event due to a broken down bus, missing all the speeches from the jury. But we did get there in time to win some awards.

We won best graphics with Owen’s Rumble and we won best technology and second place for best game with The Adventures of Commander Sid.

Down below you can see a perfectly edited film about our day, so if this game dev business doesn’t pan out I can always work in the movie industri.

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